alfred provis
Alfred Hrdlicka was an Austrian sculptor, painter, and professor. His surname is sometimes written Hrdlička.
Alfred Hrdlicka was an Austrian sculptor, painter, and professor. His surname is sometimes written Hrdlička.
Alfred Hrdlicka was an Austrian sculptor, painter, and professor. His surname is sometimes written Hrdlička.
Alfred Hrdlicka was an Austrian sculptor, painter, and professor. His surname is sometimes written Hrdlička.
Alfred Hrdlicka was an Austrian sculptor, painter, and professor. His surname is sometimes written Hrdlička.
Alfred Garrievich Shnitke (russian: Альфред Гарриевич Шнитке) was a Soviet and Russian avant-garde and postmodernist composer, music educator and musicologist.
Alfred's father was journalist and Russian-German translator Harry Shnitke, his mother was German teacher Maria Vogel, and Russian and German were spoken in the house. In 1946-1948 he lived with his family in Vienna, where he learned to play the piano and compose. From 1948 he lived in the Moscow region, then in Moscow. In 1953 Shnitke graduated from the conducting and choir department of the Music and Pedagogical College (now the Shnitke Moscow State Institute of Music), and in 1958 from the Tchaikovsky Moscow Conservatory. Between 1961 and 1972 he taught instrumentation, score reading, polyphony and composition at the Moscow Conservatoire. From the mid-1970s he appeared as a pianist, performing his own compositions.
In the early 1960s Shnitke turned his attention to modern compositional techniques, including dodecaphony, became an active supporter of the European musical avant-garde and tried to find his own style. His first significant achievements in this field were Dialogue for cello and seven instrumentalists (1965) and the Second Violin Concerto (1966).
Shnitke wrote more than 200 musical works in various genres, including the operas The Story of Dr. Johann Faust (1983-1994) and Life with an Idiot (1991); and the ballets Labyrinths (1971), Sketches (1971-1985) and Per Gynt (1986). Among his choral works, Requiem (1975) is widely known, as well as Poems of Penitence for a cappella choir (1987) and others. The composer wrote nine symphonies, concertos for violin, viola, cello, piano and other instruments. Shnitke also wrote music for many famous and popular films and cartoons from 1964-1994, as well as for theatrical productions of the main theaters of Russia.
Alfred Shnitke is an Honored Art Worker of the RSFSR, winner of the N.K. Krupskaya State Prize of the RSFSR and the State Prize of the Russian Federation. In 1990 the composer, together with his wife, pianist Irina Kataeva-Shnitke, moved to Germany and received German citizenship, as an exception he was allowed not to renounce his Soviet citizenship. He taught composition at the Hochschule für Musik und Theater in Hamburg, and was elected a member of the West Berlin Academy of Arts, the Bavarian Academy of Fine Arts, and the Royal Swedish Academy.
Shnitke died in Hamburg from the effects of four strokes, and is buried at the Novodevichy Cemetery in Moscow.
Max Beckmann, a German painter, printmaker, sculptor, and writer, stood out in the early 20th century for his profound contributions to modern art. Beckmann's career spanned a tumultuous period in history, deeply influencing his thematic and stylistic choices. Unlike many of his contemporaries who embraced non-representational painting, Max Beckmann persisted with and evolved the tradition of figurative painting, drawing inspiration from a wide array of artists spanning from Cézanne and Van Gogh to medieval masters like Bosch and Bruegel.
Max Beckmann's experiences, particularly those related to the World Wars, significantly shaped his work. Following Adolf Hitler's rise to power and the subsequent condemnation of modern art as "degenerate," Beckmann fled Germany, spending a decade in self-imposed exile in Amsterdam before eventually relocating to the United States. His art from this period, especially his large triptychs, is considered some of his most potent, offering a stark reflection on humanity and the chaos of the times.
One of Max Beckmann's most personally allegorical works, "Beginning" (1949), encapsulates his knack for blending real and imagined elements from his life to comment on the broader human condition. This piece, alongside others, underscores Beckmann's enduring fascination with the existential struggles modern society faces, teetering between desire and societal roles.
Max Beckmann's legacy is cemented not just by his unique approach to modernism but also by his influence on subsequent generations of artists, particularly in the United States, where he spent his final years teaching and working. Despite a path that often diverged from the mainstream narratives of art history, Beckmann's work continues to resonate, housed in prestigious institutions like The Museum of Modern Art and The Metropolitan Museum of Art in New York.
For collectors and experts in art and antiques, Max Beckmann's oeuvre offers a compelling exploration of 20th-century art and history. To stay informed about new discoveries, sales, and auction events related to Max Beckmann, consider signing up for updates. This subscription ensures access to the latest opportunities to engage with the work of one of modernism's most individual voices.
